SFCMF June 2

June 2

In this program, pianist Juho Pohjonen contemplates Olivier Messiaen’s 1944 Le Baiser de l’enfant-Jésus (The Kiss of the Infant Jesus), a rapt, slow episode for solo piano that treats the “Theme of God” as a berceuse, or lullaby. The Dover Quartet’s cellist, Camden Shaw, enjoys the role of soloist as he inhabits the courtly, agreeable, and lush Cello Concerto in B-flat Major by the Italian, Classical-era composer, Luigi Boccherini. To conclude, violinist Jennifer Frautschi and pianist Shai Wosner play the intoxicating and wholly individual Sonata in C Major – music Bartók wrote in 1922 and which helped solidify his reputation as a composer of international stature.

OLIVIER MESSIAEN

Le baiser de l’enfant-Jésus from Vingt regards sur
l’enfant-Jésus
(1944)
Juho Pohjonen, piano

LUIGI BOCCHERINI

Cello Concerto in B-flat Major, G. 482 (late 1760s/early 1770s)
Allegro moderato
Andantino grazioso
Rondo: Allegro
Cellist Camden Shaw, soloist; with an ensemble of Santa Fe Opera Orchestra musicians, led by Daniel Jordan as concertmaster.

BÉLA BARTÓK

Sonata in C Major for Violin and Piano, Sz. 76 (1922)
Molto moderato
Allegretto
Jennifer Frautschi, violin; Shai Wosner, piano